daniel wolf maya lin

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I thought I was going to become a veterinarian. An investigation of habitat loss and the biodiversity crisis, “What Is Missing” debuted in 2009 with a sound and media sculpture installation at the California Academy of Sciences. Maya Lin: In anything I’ve done, what I will do is resist picking up a pen, except to write, for as long as I can. And I think it actually got me into a lot of trouble later on. People are walking through, people are strolling through. It took nine months. She coped with the painful controversy by returning to Yale as a graduate student. My mother is a poet and English professor. I was really good at track, but anything else in gym, just shoot me. They have two daughters, and divide Were books important to you when you were growing up? I always took soft history courses like sociology. You know, it turns out it was also a requirement by the veterans to list the 57,000 names. I think that’s Chinese. And I designed — for the World War III memorial I designed a futile, almost terrifying passage that ends nowhere. I’m more at peace. As a child, I was never told I couldn’t do something because I happen to be a girl. All Rights Reserved. Gli inizi ed il monumento ai caduti del Vietnam A soli 21 anni, nel 1981, quando è ancora una studentessa universitaria, Lin vince un concorso pubblico per la progettazione di un monumento dedicato alle vittime del Vietnam, il Vietnam Veterans Memorial. Was there anything you were bad in as a student? How can I become an artist?”. If I find the shape too soon — especially for the memorials, which have a function — then I might be predetermining a form and then stuffing the function into the form. In fact, as I was having our first child, I had a doctor at New York University, Dr. Livia Huan spelling? It was actually really awful, but yes, I read it. And if I wasn’t doing that, I was casting bronzes in the school foundry. Maya Lin: I would say there were many influential teachers. So every memorial in its time has a different goal. But in a way, I think when you’re doing something in architecture school, you’re doing it for yourself. The images, titles, and inscriptions are products of their time and the creator’s perspective and are presented here as documentation, not a reflection of Getty’s values. 1988 photography dealer and art collector, Daniel Wolf. And I loved to study, but I had no extracurricular activities. It’s much more individual. What did you take away from that experience? And the professor of the class was extremely disturbed and comes up to me afterward and says, “If I had a brother that died in that war, I would never want to visit the memorial.” And I looked at him and I said, “Andy, this is World War III, we’re not going to be around. That’s normally where architectural projects get extremely modified, to put it kindly. Now they’ll say that we weren’t interested, but I think part of it was they wanted us to fit in. Married to architect Maya Lin. We’ll use that as our final project.” So I designed what I thought was the right solution for a course. And I was one of those crazy creatures. Maya has two children: India Wolf and Rachel Wol Maya Lin is … A funny phrase comes to mind, it’s an awful phrase: teacher’s pet. And in 2014, Ms. Lin and her husband, the art collector Daniel Wolf, purchased a Yonkers City Jail and converted it into a private art space. I’m working on a chapel for them. How do you think that experience affected you? Wolf, an art, furniture and photography collector and dealer, said it will be a base for his collections and exhibit work. For the most part things never get built the way they were drawn. I think that is very much an Eastern approach. It’s almost a percolation process. That’s probably why I didn’t have any friends. “Silver River,” on display at the MGM Mirage City Center in Las Vegas, is an 84-foot piece of reclaimed silver, cast in the form of the Colorado River. It didn’t occur to me that I wasn’t white. I don’t want to acknowledge that, because it’s too painful. And yes, I was one of those. Then I sort of switched. Maya Lin was born to Chinese intellectuals who had fled China in 1948, just as the Communist takeover was occurring. One, because my parents were both educators, I might be making up for all the history courses I didn’t take, through these larger issue subjects. And it was lonely. So it’s this very strange world that comes together, and connects, and then disconnects. Maya Lin: It’s funny, as you live through something you’re not aware of it. And I’m working on one right now, a bakery for the Grayston Foundation. Does being aware of that make it easier or more difficult to do your work? I loved logic, math, computer programming. Her parents fled China just before the Communist takeover in 1949, eventually settling in Athens, Ohio, where both became professors at Ohio University. Get premium, high So there was a part of me that was like, “Oh, how many days do I have before I can get out of this town?” I mean, at one hand, you had a university there, so I could sneak out and take courses. I’ve had very few free standing projects. And we went, “Nothing, nothing. It’s more like how humanity deals with mortality in the built form. How much of your family’s history were you aware of? It’s making people aware of nuances, changes in depth, height, making you aware of perceptions in a very, very subtle level. There were my lawyers, and there was one writer, a person who used to own The New Republic, who came to my support at one of the Senate hearings. Maya Lin: Not much. The architecture is younger. Maya Ying Lin (born October 5, 1959) is an American architect and sculptor. And to be able to do what you want to do is an incredible freedom that we have. I’ll say, “Oh, you didn’t tell us much about your family history,” and my mother will say, “Oh, you never asked.” And I think in that is a key. As both artist and architect, her work has long reflected a strong interest in the environment. Maya Lin: I probably have fundamentally antisocial tendencies, let’s face it. When you were a kid, what books did you read that excited your imagination? I think in the next 10, 20 years, if we don’t have a much stronger concern for the environment on a very political level, we’re in trouble. (Catalogue) 2010 Maya Lin: In Telluride, Telluride Gallery of Fine Art, Colorado, April 24–June 30, 2010. That I had to make any political statement. I think we have had a bad habit, as a species, of thinking of ourselves in our separate little pods. If you can afford the time to do graduate and undergraduate, I would broaden your mind in undergrad and then specialize. Because in Europe spaces are so tight that you, you have multiple uses. You have to go through five governmental agencies two times for review. Photography dealer Daniel Wolf and architect Maya Lin attend the Bloomberg Businessweek 85th Anniversary Celebration at the American Museum of Natural History on December 4, 2014 in New York City. In 2009, his first year in office, President Barack Obama awarded Maya Lin the National Medal of Arts. Does one country have a right to say that to another country? I didn’t really even begin to understand. Maya Lin: I think I wanted to fit in. And because they weren’t going to be offering it up, we didn’t ask. We have two young children, so we’ll have to go through this debate. At this point in your life, what haven’t you done that you would like to do? So we fought like hell, and the Fine Arts Commission was instrumental. In a way I didn’t have anyone to play with so I made up my own world. Does the artist have a responsibility to society? Now politically, deep down under you have two camps. I think it wasn’t just me. When you’re young you’re so idealistic and you’re so headstrong, or at least I was. It’s notable for its simplicity. I think if I could do it all over again, I really missed out on some great courses. I didn’t hear anything. ” It was sort of like, “You have to be that person in order to understand those needs.” And I think none of the opposition in that sense hurt me. Language and societal norms shift, and cataloging of a collection is a continuous work in progress. We would stay after school and blow things up. So how did you feel when you finally left home and went to Yale? You were only 21. Her life and work were detailed in the Academy Award-winning documentary film of 1995, Maya Lin: A Strong Clear Vision. Maya Lin and Daniel Wolf to Turn a Former Yonkers Jail Into a Studio and Gallery By Stephanie Hoina, Fri, April 18, 2014 For nine decades the brick walls at … I mean it was bad. They were friends and they were friendly, but I didn’t date. But at the other hand, it’s Athens High, and it was tough to fit in, and I was aware of that by the time I hit my senior year. I looked at him and I said, “You’re absolutely right. Maya Ying Lin (born October 5, 1959) is an American architect and sculptor. It’s very hard for me to ask people, unless they offer it. I think the whole American adolescence was a lot wilder than I would have felt comfortable with. By that time the Secretary of Interior was only supposed to check to see if the funding was in place, which it was. Maya Lin and Daniel Wolf, New York City Mariana Cook (American, born 1955) 91.5 × 81.3 cm (36 × 32 in.) I want the exalted.” And I think it was a very modern notion in a national capital to list all the names. No, it was very, very, intimidating. “Systematic Landscapes,” an installation that brings the experience of her large outdoor works into the gallery space, has been exhibited in New York and Seattle. Don’t you get it?”  I mean he just didn’t get it. If you talk to Asian Americans now, they’re probably brought up bilingual. And it exploded! The saving grace is I still got a fairly solid liberal arts undergraduate education minus the history, which I’m still regretting. Not that the monuments aren’t also part of that aesthetic, but the monuments in general draw on a larger social issue. Someone wrote away for the program book later on and read through it. And as the U.S. had a certain prejudice against Native Americans, the Danes had a similar read towards the Greenlanders, and all of a sudden they would be moving away from me on the bus. Maya Lin: Always tried to impress the older sibling. President Reagan, Secretary of the Interior Watt, H. Ross Perot, all kind of got together and decided the design wasn’t right. But again, can I reduce it? I wanted to cut it open and open up the earth and polish the earth’s edges. Don’t think that at age 18 you want to like just focus in on your own personal world. They actually studied at the University of Pennsylvania, brought modernism back to China and helped design Tienanmen Square. “The Wave Field” at the University of Michigan College of Engineering is a pure earth sculpture, made entirely of soil covered with grass, undulating in waves six feet high. What do you say to young men and women who might come to you and ask, “How can I do what you do? And the head science teacher comes in, a very serious man, and he’s looking around. EVER since she created what is arguably the most moving architectural touchstone of her generation -- the Vietnam Veterans Memorial in Washington -- Maya Lin … And I knew it when I saw the site. And it was just one of those things. I was fighting it in my 20’s, really hard. There were other teachers; both my art teachers were just wonderful throughout. She encountered ferocious criticism when her unconventional design was selected. Maya Lin: I had very few friends. And I think creativity and my artistic drive emanates from that childhood. Maya Lin: Not right away. The process I go through in the art and the architecture, I actually want it to be almost childlike. It’s this need in me to help out, whether I’m doing that or whether I’m volunteering for some environmental organization. How difficult was it for you? There’s a struggle at times. Nothing you learn will help you in being creative. The politics were irrelevant to what this memorial was. The earlier design for a World War III monument allowed me to research memorials, the history of memorials, what they should be. In high school, two or three of the independent courses I took at the university were teaching myself Fortran, Basic and Cobol. Her Civil Rights memorial in Montgomery, Alabama displays inscriptions on a disc of black stone beneath a thin layer of moving water. We understand your design for the Vietnam Veterans Memorial grew out of your senior project at Yale. And he’s going, ‘What did I just hear?” And we were deaf at that point. I really enjoyed hanging out with some of the teachers. They haven’t done anything to change it.” These people are so nice! If I’m working on an art work, I tend to daydream when I’m reading so I can’t read when I’m working on a few projects. Like it was loud. It might make me feel a little more whole and peaceful after the fact, but it doesn’t really change. And I actually became a little mellower. If we’re going to be making pesticides illegal in this country, but then shipping those same chemicals down to other countries because they don’t have as strict an environmental law, that is a crime. So it’s a landscape art, compared to 19th or18th Century landscape painting. So boom, I went to Denmark. I was always making things. I think it happened with the first generation of a certain era. I did a library for the Children’s Defense Fund. I didn’t fit in in high school at all. There’s a wonderful part my father told me on my 21st birthday, after we were in Washington. My parents are both college professors, and it made me want to question authority, question standards and traditions. We couldn’t hear anything. The other kids probably hated me. I think I had shelves and shelves of this sort of pseudo sci-fi, not hard core sci-fi, but sort of in between science fiction and fantasy. Among her significant works as an architect over the last decade are the Sculpture Center in Long Island City, the Manhattanville Sanctuary and Environmental Learning Lab, and the Museum of the Chinese in America in New York City, as well as a number of innovative private residences, notably the Box House in Telluride, Colorado. And I don’t just mean the physical site. So when I came back to Yale — I don’t know how this conversation came up, but we all — there were a few of us that thought a course as our senior seminar that focused on the architecture of death essentially would be really interesting. Maya Lin: The Hobbit, the J.R.R Tolkien series, The Narnia Chronicles, anything that was science fiction, or fantasy related. It was about teaching, or learning. My activities were absolutely isolated. I basically was taking almost all of my courses independent study, and taking many of my courses at the university, and counting the days, ’cause I knew I didn’t quite fit in at that point and I was desperate to kind of get out of there, and you know, it was almost more instinct. You don’t pry into other people’s business. Maya Lin: I’m the youngest. The controversy was completely extra. Like one year back from college I think I read nothing but Nietzsche. Instead, what I try to do is — for two to three months — read, research, understand anything about the site. It’s only in hindsight that you realize what indeed your childhood was really like. Nothing is ever a sure thing and all that came before doesn’t predicate what you might do next. Maya Lin: That probably is very eastern. As far as what I took away from it, at a certain point nobody would touch me with a ten foot pole. Can we learn from our mistakes before we make them in another country? This radical reinvention of the memorial concept will be Maya Lin’s final work in the memorial genre. I mean, I was pulling all nighter after all nighter obsessing about this project or that. I think I went through withdrawal when I got out of graduate school. Maya Lin, best known for being a Sculptor, was born in Athens, Ohio on Monday, October 5, 1959. and he said, “We were talking about my father.” It turns out my grandfather, on my father’s side, helped to draft one of the first constitutions of China. Though I was actually tracked pre-med at that time, I thought, “This isn’t going to work.” Then I thought of architecture because I thought it was this perfect combination of art and math, art and science. I think it’s invaluable. Yet everyone focuses on the economy or individual prosperity. He was a fairly well-known scholar. Then you can turn around and walk back out into the light. Through my 20s, and into my 30s, I began to become aware of how so much of my art, and architecture, has a decidedly Eastern character. And I say in there…. I really didn’t socialize that much. So I would take summer breaks, in between work, and then I would just devour books voraciously. You deal with some very important ideas: women, peace, civil rights, environment. Only x percentage of the population are contributing to those pollutants. It requires a certain amount of conviction. I remember this one chemistry teacher, Miss McCallan. Family:She married and had a daughter with art and photography dealer and collector Daniel Wolf. I think 30 years ago, it was more like, “Oh, let’s make you comfortable in your new climate. You couldn’t put me in a social group setting. They, I think, in turn, were hurt that I didn’t ever seem interested in their lives. And then, when I got there, the whole shock of being in a way not as well prepared academically for an Ivy League school and learning that you were the dumbest person in your class, not the smartest. Two, it is a way we can teach the next generations. The Gormenghast Trilogy by Mervyn Peakes, top that! Some artists might want their work to be socially focused. But you do these things because you personally believe in it. Because I don’t see anything that I do as a static object in space. I wanted to offend neither of them. Maya Lin is an artist and architect. We stayed very close to home. They were written about in Jonathan Spencer’s book, The Gate Of Heavenly Peace. It provides for opportunities that you don’t get in that many other countries. I tried Yale connections. Maya Lin: I read like a demon. He’s an English professor and a poet. It was louder than a rifle report. There was no way I could break through the line. In reality, I was not a participant in many school functions. That’s not the goal. Images and other media are excluded. I really respect people that focus their energies on education, on learning for the sake of learning. As a 21-year-old architecture student at Yale, Lin designed the Vietnam Veterans Memorial as a class project, then entered it in the largest design competition in American history. There was a party at the Chinese embassy, and my father was going on and on with the Chinese ambassador; they were just talking and talking. All my friends were going, “Phew, aren’t we glad it’s over?” but my whole world has been a college environment. Her Civil Rights memorial in Montgomery, Alabama displays inscriptions on a disc of black stone beneath a thin layer of moving water. But basically you don’t know who you are. And basically in American memorial art/architecture, the camp has always been the latter. In the art work, I have sort of made myself whole, so there’s a sense of arrival. Distinguished works on permanent display include “Pin River — Yangtze” at the American Embassy in Beijing, China, and “Where the Land Meets the Sea” at the California Academy of Sciences in San Francisco. It was my mother, my father, my brother and me. So I studied and I loved getting A’s. It’s much more about who you are and what you need to make, what you need to say for you. Maya Lin and Daniel Wolf to Turn a Former Yonkers Jail Into a Studio and Gallery Posted On Fri, April 18, 2014 By Stephanie Hoina VIEW PHOTO IN … We are in trouble. Maya Lin: Probably fundamentally — a previous design had been a memorial to World War III. Were you more preoccupied with trying to be American? In high school I was definitely going to become a field zoologist because I love animals and I love the environment. That’s art to me. And so there’s supposed to be this distance, but by the time I was a senior in high school, she was maybe four or five years older than me, maybe a little older. We had a very healthy sibling rivalry and fought a lot, and are best friends. If we can’t face death, then we’ll never overcome it. It was stupid, stupid, stupid of us. Architecture, the monuments, it’s a symbolic function, but it’s still you’re solving a problem. Maya Lin: Some art should. Maya Lin: When you’re young, maybe that’s all you have. We all knew a compromise had to be meted out. We have to face it. I mean, it was a real — there was an anguish in that. Maya Lin: Neither. Maya Lin: How we are using up our home, how we are living and polluting the planet is frightening. I try to give people a different way of looking at their surroundings. Maya Lin is the world-renowned architect of the Vietnam Veterans Memorial in Washington, and one of the most important public artists of this century. And yes, then I just “lay an egg” is the joke. Because I think for both art and architecture, you have your whole life ahead of you. As a student, competitions are how you were — they’re what you do as a good exercise. She was also a member of the jury that selected the design of the World Trade Center Site Memorial. So I presented my piece. Then came the embellishment of the names having to be chronological, which had to be key. And I entered it. Her parents had immigrated from China in 1949, and moved to, and settled in Ohio in 1958 one year before Maya Lin was born. I was amazed. Maya Lin is an artist and architect. Growing up, I thought I was white. And it turns out a lot of my works deal with a passage, which is about time. You could go off on your own or create a senior seminar with a bunch of other students. The only thing that mattered was what you were to do in life, and it wasn’t about money. Yale doesn’t have a junior year abroad. I really sometimes question students who have chosen to go into like an architecture school from day one, because I think they’re missing out on the English courses, the science courses, the math courses. And what does that mean? And it wasn’t until the next semester, which was my final, my spring semester, that I decided to enter it into the actual competition as an exercise. Did you?” And so what you don’t realize, I think, is that some of your teachers are actually closer in age to you than you think. I think you have to be forever questioning what you’re up to. They’re a not for profit group that build housing for the homeless, AIDS hospices. You didn’t just sit down and have some vision spring forth from the inner recesses of your mind. That’s all that counts —nothing else really matters. But it was always very academic and none of this connected. In fact, technically, if you look at it, there should have been no problem. In the course of that semester, someone saw a bulletin for a competition for the Vietnam Veteran’s Memorial. Maya Lin: Artists have responsibility to themselves as individuals. The idea is there. Her striking proposal, a V-shaped wall of black stone, etched with the names of 58,000 dead soldiers, beat out the submissions of 1,420 other entrants. The AIA was wonderful, you know, the arts groups were. I think I had the highest grade point average in my high school. But we had a lot of fun doing that. It was tough, and yet I wouldn’t have wanted to go anywhere else. It’s like morbid curiosity. Lin married photography dealer Daniel Wolf in 1996 and by the late 2000s had two daughters. Maya Lin, Arts Club of Chicago, February 1–April Can you talk a little bit about that? The art works deal much more specifically with my personal love of landscape, the environment, how we see the land through a microscopic view, a satellite view of the Earth. What was your childhood like, growing up in a small town in Ohio as the daughter of Chinese immigrants? And what I want to do is try to understand what I want to do as an idea. Her work has profoundly changed the way we experience things, creating works that have touched us in a manner unprecedented in contemporary art. I think the American Dream also represents that we have a responsibility to share it, and to not just sort of hoard that freedom, but hopefully share that freedom with other countries and with people within our own country that don’t have that freedom. I didn’t find out more about my family’s history until later. And I’m realizing, I should enter this because I think it’s an important thing to say. We have to take responsibility and we have to start solving these problems on a global outlook. I think as a little girl there was a bit of a China doll sort of syndrome. I had studied how competitions are handled in Washington. Talk to Asian Americans now, they ’ re up to it easier or difficult... People on that wall who were for it a board member of daniel wolf maya lin environment things creating. In reality, I pursue my architecture, I have the most obscure science fiction/fantasy that. Always very academic and none of this connected Hobbit, the acknowledgement of China! 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